STATEMENT

 

For several years, I have been reproducing the works of the great colorists of modern art and key figures of the avant-garde.

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Each painting is recreated using only the color white.

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In some, the original image remains clearly visible; in others, it fades almost entirely, as if slowly vanishing. The technique respects the stylistic approach of each original artist, and the format matches the authentic works.

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Although made through traditional painting, these works do not aim for aesthetic contemplation. They are, instead, conceptual paintings — spaces for meditation rather than admiration.

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The subject is time and silence, in their tangible presence. White, far from being emptiness, reveals what color conceals: the erosion of meaning, the residue of gesture, the breath between images.

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These paintings also reflect our present — a time devoid of the strong artistic ideals of the past, of the visionary urgency that once drove the avant-garde. In this sense, they carry a quiet nostalgia for a lost age of conviction, while inviting a new kind of gaze: slower, suspended, and open to doubt.